El Has' Website

This is the home of every­thing I have made which is current­ly avail­able on the internet. Have a look around.

Music

Welcome to Their 2030 by El Has. Between horizontal grey rectangles displaying El's name and the title of the record, a silhouette of a long-haired man sits between a fire and the logo for the Ultimate Stalker Company, based on the logo of the World Economic Forum. Inside this silhouette is blue text, which reads: "Welcome to 2030. I own nothing. I have no privacy. I have no rights, and guess what! My life has never been better!"
Dehumanised by El Has. The artwork depicts two hands in restraints at the behest of the Ultimate Stalker Company, with a logo derived from the logo of the World Economic Forum. A visual feedback loop occurs behind the hands.
Stifled EP Artwork. It depicts El Has covering his mouth, and the right side of the image has superimposed fire on it.
Artwork for Intonation is Anger To You by El Has. Behind an intense vignette and and a red and yellow tint, a man wearing a maroon t-shirt walks up a narrow staircase holding a binbag. In front of him is text which says "We told her it was wonderful."
Artwork for the single Sustain My Existence by El Has. Behind the text there is a dark vignette around the side of the image. Within that is a red ring distorting a grainy image of some British cash, with a clenched fist superimposed on top of it.
Artwork for the single '239' by El Has. Large grey text is in the middle of the image, specifying that the title is said as 'Two Three Nine.' The background is cloudy, mostly blueish but red near the edges. There are weirdly-blended skulls near the bottom. In front of it is a lot of text and images from the '239 Apocalypse' website this song is based on. In front of that is more text. The messages read "Ignore my valid arguments and focus on the numbers," "HUMANITY IS DOOMED," "Chao Horo" meaning "Times of Chaos in Latin, "The existence of digits 2, 3 & 9 is all the evidence you need," and "2001, 2023, 2030," those being the years the website highlights as years of significant negative change.
Crushed Dreams by El Has. A silhouette of a miserable El stands in front of a window, not letting much light in. The vast majority of the room he's in is pitch black.
Faker by El Has. His face can be seen, angrily glaring at you while surrounded by the YouTube profile pictures of several people who stole his name, and the name of his show, The Problem. Some blurry handles (the @ symbol followed by text) used by the fakers are hidden among these images, which all blend into each other to an extent. The logo for the real The Problem is in the top left corner. To its right is a text box, which reads "It appears that you're requesting a username, rather than reporting an account that's impersonating you." In the bottom right corner are two elements of artwork for music released by the worst faker of them all, flaming text reading "Hot Eels", and clipart of a landline telephone handset in a circle. The colours of everything behind the text consist of black and various muted primary and secondary colours like red, green, blue, purple and cyan. Everything else is black.
Humans Incarnate by El Has. This is a very busy image, comprising of elements from all the singles and EPs that led up to it. The image is split into 4 uneven segments by slanted white lines. In the bottom right segment, a blue-tinted warning from the Ultimate Stalker Company says "BE AFRAID", with loads of fake coronavirus renders occupying the space to try and scare you. Above it in the top right segment, in front of some darkened plants, El Has disintegrates into large numbers with bright green vignettes. In the bottom left segment, the words "KLAUS IS NOT IN CHARGE" are in front of a fire in a cave, with a face superimposed in front of it glaring at you. In the top left segment, lightning can be seen at the top. Underneath it is an assortment of elements of previous artwork from the buildup to this album, such as dioramas of the artwork of Enslavement Plan and Slavery Pass. Matt Warman and Klaus Schwab stand on top of them. More 'coronavirus' renders with blue glows are behind all this, and behind them is a grid made of messages that flash onto the screen in the music video for Controlled Demolition & Give a Shit. El Has stands in front of most of this, gritting his teeth, holding his guitar and glaring into the camera.
Controlled Demolition by El Has. Various messages of impending doom, calls for rebellion, death and reminders of sentience, are in a grid behind a black vignette. In front of it is a translucent logo for the Ultimate Stalker Company. In these messages are some messages inserted by evil people, lying to you about everything and trying to scare you.
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