Artwork for the single '239' by El Has. Large grey text is in the middle of the image, specifying that the title is said as 'Two Three Nine.' The background is cloudy, mostly blueish but red near the edges. There are weirdly-blended skulls near the bottom. In front of it is a lot of text and images from the '239 Apocalypse' website this song is based on. In front of that is more text. The messages read "Ignore my valid arguments and focus on the numbers," "HUMANITY IS DOOMED," "Chao Horo" meaning "Times of Chaos in Latin, "The existence of digits 2, 3 & 9 is all the evidence you need," and "2001, 2023, 2030," those being the years the website highlights as years of significant negative change.

Tracks

239

Release Date:
27 July 2023
LISTEN

El Has encountered a website entitled 239 Apocalypse (or some variation of that) during the events of the previous full album, Humans Incarnate. It claims to 'decrypt the codes to examine the messages Deep State are covertly sending us,' but the claims are invalidated just by what the contents of the site are. Then he made this song, called 239, said as 'Two Three Nine', This song has it all; every reason this is failing to warn anyone of our apparent demise.

The foundation of this attempt to convince us humanity is doomed is because the digits 2, 3 and 9 are often seen together in movies. Apparently it means '2001, 2023 and 2030 are years of significance in our downfall. More on that later.' Right at the beginning, that argument's dismissed because that kind of shit is going to attract the wrong kind of attention. The song continues. If you scroll down the lyrics, you're essentially scrolling down the page, because the next section of both is 'Something something 9/11.' It's been so long that everyone knows no-one believes it was planned. El relays the reason the man behind the website is saying 9/11 was planned: because a tree got run over in a film from the 1980s. It's like he wants us to ignore his valid arguments, and to instead just say that the existence of numbers means anything. If you'd been paying attention and you hadn't LET EVERYTHING EL MADE GET ERASED, you would understand why that's bullshit. That's not the topic of this particular song though.

Back into the action, El further dismantles this terrible argument by moving onto the WWW dot claims, saying the internet's existence is also to blame for our demise. You might be thinking El doesn't think at the very least life's gonna get worse because you never saw a show called What the WEF is Doing. When the stupid voices stop, he's being serious. Anyway, back to phone numbers for a bit. Then more deconstruction of the problem with how you 'resisted' before you stopped bothering at all. This is the idea behind how the lyrics were written. The rest of the song continues in a similar way. Like the only resistance the prelude to the Great Reset got, it spends way too long denying humans' objective sentience, but things El never heard of before encountering 239 Apocalypse are brought up: D.E.Ws and poorly-cited horrifying weapons with no more information because there was none provided. If you want to know more, listen to the full song now. The radio edit omits a few sections.

This song was published in July 2023. Somehow El got the extra week he needed to finish the song (including a radio edit not highlighted on this site) before the summer holidays when once again nobody would shut up or leave. 2023 is one of the years mentioned there, referred to as 'the first year of the Times of Chaos.' Will the doomsaying come true? We'll have to wait and see...

A radio edit is also available.

Other Releases

Artwork for the 2026 version of "Faker ~ I Wanna Kill You" by the real El Has. His face, tinted red, glares at you from behind several things, such as his name and the name of the single. Dotted around the image are several blocks of text sharing the ratios of views to comments on the music by the person who stole his name, such as 1,200 views to 6 comments. There are also several blurry handles of several people who have stolen either his name or the name of his show, The Problem. In front of El's forehead, there is a screenshot of a consent checkbox from Twitter's useless impersonation report form, which forces you to DOX YOURSELF to report someone stealing the name YOU CHOSE. It reads, "By checking this box, I consent to X and Persona using images of my ID and my selfie, including extracted biometric data, to confirm my identity and for X's related safety and security purposes, including preventing impersonation. Persona may store such data for up to 30 days. Learn more." Underneath that is the start button. The screenshot is translucent and turns the red part of El's forehead cyan. On the right side of the image, next to El's gritted teeth, there is another screenshot from Instagram. it says "This account wasn't removed, but we still want to help," explaining that somehow having someone else's name in your handle does not count as impersonation.
Artwork for Humans Don't Have Wings by El Has. His logo is red text on the top. Behind that, is a scene of a silhouetted man falling out of a silhouetted plane. The scene is tinted red on the left and blue on the right. Underneath that, the name of the release has the same colours.
Welcome to Their 2030 by El Has. Between horizontal grey rectangles displaying El's name and the title of the record, a silhouette of a long-haired man sits between a fire and the logo for the Ultimate Stalker Company, based on the logo of the World Economic Forum. Inside this silhouette is blue text, which reads: "Welcome to 2030. I own nothing. I have no privacy. I have no rights, and guess what! My life has never been better!"
Dehumanised by El Has. The artwork depicts two hands in restraints at the behest of the Ultimate Stalker Company, with a logo derived from the logo of the World Economic Forum. A visual feedback loop occurs behind the hands.
Stifled EP Artwork. It depicts El Has covering his mouth, and the right side of the image has superimposed fire on it.
Artwork for Intonation is Anger To You by El Has. Behind an intense vignette and and a red and yellow tint, a man wearing a maroon t-shirt walks up a narrow staircase holding a binbag. In front of him is text which says "We told her it was wonderful."

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