Artwork for the 2026 version of "Faker ~ I Wanna Kill You" by the real El Has. His face, tinted red, glares at you from behind several things, such as his name and the name of the single. Dotted around the image are several blocks of text sharing the ratios of views to comments on the music by the person who stole his name, such as 1,200 views to 6 comments. There are also several blurry handles of several people who have stolen either his name or the name of his show, The Problem. In front of El's forehead, there is a screenshot of a consent checkbox from Twitter's useless impersonation report form, which forces you to DOX YOURSELF to report someone stealing the name YOU CHOSE. It reads, "By checking this box, I consent to X and Persona using images of my ID and my selfie, including extracted biometric data, to confirm my identity and for X's related safety and security purposes, including preventing impersonation. Persona may store such data for up to 30 days. Learn more." Underneath that is the start button. The screenshot is translucent and turns the red part of El's forehead cyan. On the right side of the image, next to El's gritted teeth, there is another screenshot from Instagram. it says "This account wasn't removed, but we still want to help," explaining that somehow having someone else's name in your handle does not count as impersonation.

Tracks

Faker ~ I Wanna Kill You (2026 Version)

Release Date:
24 September 2026
LISTEN

This is the website for the REAL El Has, and since this is about my identity, this page is written in first person.

I first used my name in 2016, and even though it took until 2017 be­fore I start­ed up­load­ing any of the first stuff I made, that was still TWO YEARS be­fore that FAKER de­cid­ed to STEAL MY NAME, and BUY VIEWS to sati­ate his des­per­ate, path­etic need for at­tent­ion on his deriv­at­ive slop bas­ed on stol­en audio which some­how took up to three defin­ite­ly real people to turn into the most bor­ing shit you've ever heard be­fore deep­fake music even ex­ist­ed. What a com­plete waste of time and money.

If you decide to be a mass­ive twat and go to his chan­nel, you will see thou­sands of views, yet few­er than 20 com­ments on all but one of them. Yes, those views are defin­ite­ly legit­imate, and this was before YouTube ap­parent­ly de­cid­ed to make watching a single frame count as a view (Inter­net Ar­chive | Ar­chive Today). He was so des­perate to seem more legit­imate than the man whose name he stole that he must've BRIB­ED SOME­ONE, possib­ly multi­ple people, to let him use their view farm(s) so he could claim he had an audi­ence – to whom is a mystery – as long as you didn't no­tice the ratios of views to lik­es, or views to com­ments, or especial­ly views to dis­lik­es back in the day.

This is because he couldn't be bother­ed mak­ing the music with­out STEAL­ING OTHER PEOPLE'S WORK. Mean­while, I put effort into my music and DO NOT CHEAT to get eyes on it. This has been the case since El Has' Ad­ven­ture, the first thing that ever bore my name, and that has reach­ed its 10th anni­ver­sary this year, 2026.

It is time to put this bull­shit to rest: I WAS HERE FIRST, and the faker can​not ab­solve him­self of his IDEN­TITY THEFT by slight­ly chang­ing his YouTube handle to claim he's the fuck­ing OG while also ne­glect­ing to get rid of the pre-handle link that is MY NAME. On MY first chan­nel, El Has Gaming, I will cele­brate EHA's 10th anni­ver­sary by re­watch­ing it, and giv­ing you in­form­ation on the stori­es I PUT EFFORT INTO CREAT­ING for its cha­rac­ters. On El Has Music, I will also be re-pub­lish­ing the sound­track I made for the show but never got to use.

Also available: low dynamic range ver­sion, on which the quiet bits aren't quite so quiet. Use­ful for when there's back­ground noise. (On YouTube and Odysee it's the same video but with a different audio track selected)

Also available: radio edit, in case you're a hypo­crit­ic­al, bigot­ed, mon­str­ous cunt with skin stretch­ed so thin it's trans­parent and you can't handle vibrat­ing air wrong.

Other Releases

Artwork for Humans Don't Have Wings by El Has. His logo is red text on the top. Behind that, is a scene of a silhouetted man falling out of a silhouetted plane. The scene is tinted red on the left and blue on the right. Underneath that, the name of the release has the same colours.
Welcome to Their 2030 by El Has. Between horizontal grey rectangles displaying El's name and the title of the record, a silhouette of a long-haired man sits between a fire and the logo for the Ultimate Stalker Company, based on the logo of the World Economic Forum. Inside this silhouette is blue text, which reads: "Welcome to 2030. I own nothing. I have no privacy. I have no rights, and guess what! My life has never been better!"
Dehumanised by El Has. The artwork depicts two hands in restraints at the behest of the Ultimate Stalker Company, with a logo derived from the logo of the World Economic Forum. A visual feedback loop occurs behind the hands.
Stifled EP Artwork. It depicts El Has covering his mouth, and the right side of the image has superimposed fire on it.
Artwork for Intonation is Anger To You by El Has. Behind an intense vignette and and a red and yellow tint, a man wearing a maroon t-shirt walks up a narrow staircase holding a binbag. In front of him is text which says "We told her it was wonderful."
Artwork for the single Sustain My Existence by El Has. Behind the text there is a dark vignette around the side of the image. Within that is a red ring distorting a grainy image of some British cash, with a clenched fist superimposed on top of it.

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